Lyle Victor Albert

Playwright, born into a French/Irish Catholic family in 1960, the youngest of eight children. He was raised on a farm near Bonnyville Alberta , and attended Grant MacEwan College in Edmonton, where he obtained a diploma in Theatre Production. He also studied English and Drama at the University of Alberta.

He began writing for the theatre in 1980 and has been produced across Canada, in the US, Europe and Australia. He has been writer-in- residence at Northern Light Theatre and Theatre Network .

He also writes for film and video.

He has twice won the Alberta Culture Playwriting Award (1982 and 1986), and a Sterling Award (1996).

His plays include three monologues inspired by his experience of cerebral palsy: Jumpin' Jack ( One Yellow Rabbit 2002); Objects in the Mirror (Saskatoon Fringe Festival 1997); Scraping the Surface (Vancouver Men's Fest 1995). Other plays are Waves, an expose of sexual misdemeanors in a "health club" ( Alberta Theatre Projects , 1989, dir. Cathy Allison); Wheelie (Chinook Theatre 1988); Ba Ha Ha, an exploration of the significance of Bauhaus architecture (Edmonton Fringe Festival, 1987); The Big Sell (Theatre Network, 1986, dir. Stephen Heatley ); White on White, about the presence of the Klu Klux Klan in Alberta (Theatre Network, 1985, dir. Raymond Storey ; Cut!, which animates the characters cut from such classics as Hamlet and Oedipus Rex (Edmonton Fringe Festival 1985); The Prairie Church of Buster Galloway, which probes the morality of a group of Alberta farmers (Northern Light Theatre, 1983, Jace van der Veen).

Published plays include: The Prairie Church of Buster Galloway Playwrights Union of Canada, 1987; Cut!: Five From the Fringe NeWest Press, 1986; Scraping the Surface: Three Plays by Lyle Victor Albert, NeWest Press, 2000.

Albert's most popular play, Scraping the Surface is a monologue in which the actor becomes the playwright, becomes the basic human guy. It ironically explores the trials and tribulations of a "jumpy" young man with cerebral palsy, his evasions, disappointments, and triumphs, including shaving with a straight razor. For the past ten years, he has toured this play throughout North America and Europe, including the Kennedy Centre in Washington D.C.

Courtesy of the Canadian Theatre Encyclopedia, written by Anne Nothof.